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This article adresses the relation among metropolitan existence and the idea of exile. It shows a shape of studying concerning individual’s state of affairs produced with the aid of using the worldwide residing fashion in the metropolitan existence. With an assumption that the idea of exile contains similarly meanings than the ones offered with the aid of using the historic contexts, the examine is predicated at the inter‐textual readings interwoven with the ideas of globality, contemporary-day and post‐contemporary-day identities and department of time and space. In this examine, in which the interplay of town and human‐being is questioned, the problems consisting of how pictures are read, what form of visible bureaucracy those readings correspond to and what form of a profile a town man or woman presents, are addressed. The most important statements offered withinside the theoretical debate are mentioned primarily based totally at the semiological evaluation of Newyork road pictures